Welcome to my new tutorial! This time, I’m sharing a sewing pattern for a bathing suit from around 1900. The pattern is based on original designs and includes clear instructions to help you create your own historical bathing dress.
You can find the full pattern available for purchase in my shop.
In the following steps, I’ll walk you through the sewing process. Each section includes tips and additional photos to help you along the way. Even if you’re new to historical sewing, this pattern is designed to guide you smoothly through each step.
The bathing suit in my pattern is based on a fashion plate from the book “The Cutter’s Practical Guide” from about 1900, featuring three different options. The first is a loosely cut jumpsuit, worn with a belt or a skirt (Fig. 1 and 2). The second features extra pants, a bodice, and a skirt in one piece (Fig. 4). The pattern includes two different collar and sleeve options.
Let’s start with version 1, the jumpsuit! At first glance, the pattern may seem a bit confusing, so I recommend outlining your chosen pattern pieces to get a better overview.
(1) All pieces of this pattern are too large to cut on folded fabric. Instead, I laid my fabric flat on the floor and cut out each piece individually.
(4) Take the top collar and flatline with lightweight cotton, alternatively use fusible. Turn in the seam allowance along the neckline. Press and edgestitch from the right side. Trim back and notch the seam allowances. Line up the top collar with the under collar, right sides together. Shift the edges of the top collar about 1/8” (2mm) behind the edge of the under collar to allow for the turn of cloth. Stitch along the outer edges, reducing the stitch length at the corners. Trim back the seam allowances and turn the right way out, press.
Line up the under collar with the neckline, right sides together and sew, taking care to match the collar points exactly. Trim back and notch the seam allowances, press towards the collar.
Now that we’ve completed the jumpsuit, let’s move on to the next pieces of our bathing suit.
Let’s start with the skirt, which is designed to be worn over the jumpsuit.
(8)Cut all pieces from the fabric, leaving the selvages at the center back. Transfer all notches and marks carefully and sew the darts. Sew the backs to the front, right sides together, and finish with a flat felled seam.
(9) Take the placket and fold along the dotted line, right sides together. Sew along the bottom and side edges and trim back the seam allowances. Turn the right way out and press. Line up with the left back edge, right sides together. Sew with a 5/8” (1,5cm) seam allowance, starting at the top and stopping at mark (1). The width of the finished placket is 1 5/8” (4cm). Sew the center back seam, right sides together, stopping exactly at mark (1). Fold the excess fabric at the center back into a box pleat, regarding the marks.
(10) Take the waistbandlining and flatline with a layer of midweight cotton fabric. Turn in the seam allowance along the bottom edge and stitch in place. Trim back the excess fabric. Line up with the waistband, right sides together, along the top edge, setting back the edge of the waistband about 1/8” (2mm) behind the edge of the waistband lining to allow for the turn of cloth. Sew along the top edge, trim back and press the seam allowance towards the lining. Understitch from the right side. For a neat and even finish, decorate the waistband with two parallel rows of white (contrasting) cotton tape now.
The period between 1795 and 1820, known as the Empire or Regency era, marked a fascinating transition in fashion history. Gone were the rigid, heavily boned stays of the 18th century, replaced by a softer, more natural silhouette inspired by Greek and Roman statuary.
During this period, the transformation from stays to corsets reflected changing attitudes toward fashion and comfort. The term “corset” itself emerged from the Old French word “cors” (body), signaling a shift toward lighter, less restrictive garments. These new corsets were advertised in ladies’ journals as a healthier alternative to their predecessors, while still providing the desired silhouette of high, separated breasts and a smooth line from bust to hip.
The complete Regency undergarment ensemble typically consisted of three pieces:
A simple chemise of cotton or linen as the first layer against the skin
Every great women’s costume starts with a solid foundation: the chemise. Today, we’ll create this essential first layer that graced the wardrobes of Jane Austen’s contemporaries. Made from soft cotton or fine linen, this knee-length garment protected the corset and the outer garments from sweat and body oils.
You can purchase the pattern, including chemise, petticoat, and corset here in my webshop:
COMING SOON
The chemise is a simple garment cut in rectangular and triangular pieces to save fabric. The main difficulty is to insert the underarm gusset properly. For an easier sewing process, as we are using modern fabrics, with modern widths, we just cut the triangle shape of front and back, without inserting some additional gussets, as it would be historically accurate. By the way, this sewing guide will not show a historically accurate hand-sewing process, but machine sewing.
(1)Cut out all pieces, and transfer the notches carefully, especially at the underarm gusset. Sew the center back seam when needed and sew the shoulder seams, right sides together, creating flat felled seams.
(2) Take the bias tape and line up with the neckline, right sides together. Start and stop at the center front, turning in a narrow seam allowance, and leaving an opening for the drawstrings there.Sew, trim back the seam allowance, and clip at the curves, optionally understitch. Fold the bias tape with the wrong sides matching against the chemise, rolling the seamline slightly out of sight.Turn in the loose edge of the bias tape, creating a narrow tunnel. Fell or edge stitch in place. Finish the armholes with bias tape as well, when sewing the chemise without sleeves.
(3) Sew the sleeves to the bodice, right sides together, start and stop exactly at the marks. Sew the sleeve and side seams, right sides together, stopping exactly at the marks, leaving an opening for the gussets.
(4) Pin the gusset into the opening, right sides together, matching all marks. Sew, start, and stop exactly at the marks or pre-existing seams. Don’t catch any seam allowance while sewing. Now it´s getting a little bit complicated, making all the seams a flat felled seam.Trim back the seam allowances of the gusset all around to about ¼”, and trim back the corners at an angle of 45°.
Notch and trim back the seam allowance of the sleeve and back as shown in the illustration in the sewing instruction and start between (2) and (4) at the back portion of the sleeve, folding the wider seam allowance over the trimmed back and press, edge, or fell stitch in place, creating a flat felled seam. Continue from (2) to (4) – front portion of the sleeve, followed by (3) to (2) on the back, until reaching (2) on the front, proceeding to (3), and then going all the way down until reaching the bottom edge.
(5) Double turn in the sleeve hem and stitch in place, double turn in the hem and stitch in place in the same way. Thread the tunnel at the neckline with a narrow cotton tape.
Hi there! Roti from Black Snail Patterns here. I’m thrilled to announce that we’re giving our popular 1830s Frock Coat sewing pattern a major upgrade. This classic garment has long been a favorite among historical costume enthusiasts, and now we’re making it even better.
We’ve listened to your feedback and enhanced the pattern with clearer, more detailed instructions. This is not a beginner sewing pattern. However, we tried to explain tailoring terminology in a way that, with sufficient motivation and enthusiasm, everyone could understand.
Get the completely updated pattern here:
In this post, I’ll walk you through the updates we’re making:
Expanded step-by-step instructions
New troubleshooting tips for common challenges
Additional pictures for complex construction steps and period-accurate piped edges.
These improvements will help you achieve stunning results, whether you’re creating a historically accurate costume or adapting the Frock Coat for a contemporary twist.
Join me as we explore the refined details of this 19th-century classic and uncover the techniques that bring it to life. Let’s make historical sewing not just accessible, but truly enjoyable for everyone. Ready to dive in? Stay tuned as we delve into the fascinating details of this classic garment and the techniques used in its construction.