Category Archives: Tutorials

#0126 Late 18th-century Stays Part 1 (Step 1-5)

I’m very happy to share my new late 18th-century stays pattern with you finally.

This project has been in the making for quite some time and is the result of careful study of historical construction techniques. My goal was to create a pattern that is both accurate and approachable, while still working well for the modern body.

With this pattern, I’ll guide you through the process step by step, including historically accurate techniques such as constructing each panel individually and assembling them with whip stitch. At the same time, you’ll have the flexibility to choose where modern methods might suit you better.

If you’ve ever wanted to explore 18th-century sewing or add a pair of stays to your wardrobe, this pattern is a great place to start.

First of all, you’ll want to think about your fabric choice. Most extant stays from this period are constructed from two to three layers of fabric, often with two coarse linen base layers to protect the fashion fabric. An additional cotton lining is sewn to the inside to protect the stays from sweat, and can easily be replaced if necessary.

For my sample, I used a single layer of coarse, heavy linen as the base and a lovely linen twill as the top layer. For the boning channels, I chose a contrasting silk buttonhole thread and stitched the channels using a half backstitch.

For more details on 18th-century stays, I warmly recommend these two books: Corsets and Crinolines by Norah Waugh and Patterns of Fashion 5: The Content, Cut, Construction and Context of Bodies, Stays, Hoops and Rumps c. 1595–1795.

It’s time to move directly into cutting our fabrics and starting to sew. As always, we’ll follow the pattern instructions step by step with many pictures, followed by a short detour on how to sew some of the corset’s trickiest and most time‑consuming parts with the sewing machine.

(1) Cut out all pieces: basic layer (one or two layers), fashion fabric, and the lining. I decided to cut my pieces from fabric slightly larger than the pattern pieces, which in the end wasn’t necessary. I was simply worried that the pieces would shrink once the boning was added.

Line up the basic layer with the fashion fabric, wrong sides together, optionally the second basic layer in between. Mark the stitching lines; seam allowance is 1 1/4”  (3cm) along the center front and center back, 5/8” (1,5cm) along all other edges, and baste along the stitching line.

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#0126 Late 18th-century Stays Part 2 (Step 6-12)

Part 1 ( Step 1-5)

(6) Take the shoulder straps and turn in the seam allowances between (7) and (8). Fell to the basic layer as described before.

(7) Now all the pieces are prepared, and the side edges of each panel are cast individually. First, take the fronts and line them up along the center front, right sides together. With a double-threaded needle, whip-stitch together the fronts from the bottom until reaching point (9). Bar tack the ends securely and press open.

Line up the front and side front, right sides together, matching points (1) and (2). Then, again with a double-threaded needle, whip stitch together, starting at points (1) and (2). Stop right before reaching the seam allowance at the top. In the same way, whip stitch the side back to the side front, matching points (3) and (4), and the back to the side back, matching points (5) and (6). Finally, whip stitch the strap to the side back, matching points (7) and (8).

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#0119 – The white Regency/Empire Dress – Part 1 from (1) to (7) – the bodice

As I recognized lately, I never made a tutorial with detailed pictures of this dress. So that’s going to be changed at this moment.

Ever since I released the sewing pattern, I’ve received questions about how it was made, from choosing the fabric to assembling those little hand-sewing details that make it special. Today, I’m finally taking you behind the scenes—step by step, with plenty of close-up photos—to show you exactly how this dress comes together. Whether you’re planning to sew the dress or just curious about the process, this tutorial will guide you through every part. Let’s get started!

If you’d like to sew the dress yourself, you can purchase the pattern in my shop or on Etsy and follow along as I make it.

The first dress I made was from some very old Swiss lawn fabric, which, in its previous life, was my grandma’s curtain. Because of its age, the fabric is now quite fragile, so I’ve decided not to wear the dress again in order to preserve it.

When searching online, I couldn’t find a fabric exactly like it—only plain white lawn or some embroidered cotton lawn options. In the end, I chose the embroidered cotton lawn. Its striped embroidery pattern made cutting the fabric a little more interesting, as I wanted to center the stripes at the front and ensure the pattern aligned seamlessly when sewn together.

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0119 – The white Regency/Empire Dress – Part 2 from (8) to (14) – The sleeves and skirt

Part 1 from (1) to (7) – the bodice

(8) Gather the sleeve head between the markings, make a box pleat at the bottom edge, and baste in place. Sew the sleeve seam, right sides together, and neaten with a flat felled seam.

(9) Fold the sleeve cuff lengthwise along the centerline, wrong sides together, and press the edge, reopen. Sew the cuff into a circle, right sides together. Pin the sleeve cuff to the sleeve’s bottom edge, right sides together, and sew. Trim back the seam allowances and press towards the cuff. Turn in the seam allowance along the loose edge and fold the cuff along the previously pressed edge, wrong sides together, lining up the edge with the cuff stitching. Sew with a felling stitch.  

(10) Sew the sleeve into the armhole, right sides together, matching all marks. Pull the gathering threads and spread the width evenly between Mark (5) and (6). Trim back the seam allowances to 3/8” (1cm) and neaten with an overcasting stitch.

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0119 – The white Regency/Empire Dress – Part 3 – The Spencer

Part 1 from (1) to (7) – The bodice

Part 2 from (7) to (14) – The sleeves and skirt

Let’s continue with the Spencer, a short jacket designed to add contrast and character to the simple white dresses of the Regency era.

I used a leftover piece of hibiscus-colored silk from my stash—you might recognize it from the Bridgerton-inspired dress I made. Since there wasn’t much fabric left, I had to piece the back and omitted the train because I didn’t have enough fabric left.

While reading online reviews of this pattern, I noticed that several of you mentioned the back being quite wide and not fitting snugly—a problem I also noticed during my first fitting. To fix this, I adjusted the back pattern pieces for a closer fit and added an additional closure with a placket to the new version of the pattern.

(1) Sew together all pieces from the lining, right sides together, leaving the shoulder seam open jet. Press the seam allowances towards the side back piece.

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