Category Archives: Empire / Regency

Black Snail´s first childrens pattern – a Regency girl´s dress!

When Laura joined my team, she brought her passion for historical fashion and a unique perspective as a mother of two girls.  It seemed fitting that her first pattern project would be a lovely girls’ dress from the Regency era (1800-1810). Based on several surviving children’s garments from this period, this dress captures the essence of early 19th-century childhood fashion – comfortable, practical, and utterly delightful.

The Regency era marked a significant shift in how children were dressed. For the first time in history, children’s clothing was designed with their comfort and freedom of movement in mind, rather than simply miniaturizing adult fashions. Our pattern stays true to this revolutionary approach, featuring clever design elements like drawstrings and adjustable elements that allow the dress to “grow” with the child. This practical consideration was just as important to parents then as now.

(1) After carefully cutting all your pattern pieces and transferring all markings, we’re ready to begin the sewing process. Before we dive in, remember: Always make a mock-up using inexpensive fabric first to check the fit, especially around the bodice area. Transfer any adjustments to your paper pattern before cutting into your final fabric.

Pro tip: If your fabric has a nice, even selvage, consider using it for the center back of the skirt – this clever detail saves you from having to finish those edges separately.

And speaking of Laura’s sewing process – she always gets plenty of “help” from her cats, who seem to think that pattern pieces make excellent napping spots and fabric layouts aren’t complete without a cat inspection! 

Now, let’s start sewing!

(2) At the center front of the front piece, sew a small buttonhole to the seam allowance, where indicated on the sewing pattern.

(3) Take the shoulder straps from fashion fabric and lining and turn in the seam allowance along the neckline (b), clip if needed. Line up the straps, wrong sides together. For the point à rabattre sous la main the edge of the fashion fabric should extend beyond the edge of the lining about 1/8” (2mm).

Sew the shoulder strap to the front, right sides together, respecting mark (5). Sew with a back stitch – take care of the 1 3/4” (2cm) seam allowance here. Double-turn in the seam allowance along the top edge of the front, 3/8” (1cm) each. Instead of equal folds, Laura took a slightly different approach here, she first made a narrow turn, followed by a wider. Instead of a fell stitch, she used a narrow running stitch. Because of this, she had to turn in the seam allowance of the strap on top of the tunnel. Just take care, that you can thread the tunnel with the drawstrings later. Thread the tunnels with narrow drawstrings, reaching from the side to the buttonhole. Let the drawstring extend beyond the sides about 3/8“ (1cm) and secure with some stitches.

(4) And it´s the same procedure at the back! Here’s a clever detail that Laura came up with while developing this pattern: She discovered an elegant way to finish the back edges of the bodice where the drawstrings will be inserted. As a mom who knows the importance of sturdy construction in children’s clothing, she wanted to ensure these openings would hold up well to regular use and dressing. But see for yourself!

Left Side: Turn in a narrow seam allowance of about 3/8” (1cm) along the left back edge. Again, turn in along the center back, marked as line (2). Press and fell stitch in place (i)

Right side: Turn in a narrow seam allowance of about 3/8” (1cm) along the right back edge. Then, turn in again along line (1), press, and fell stitch in place, creating a narrow placket.

Turn in the upper corner, and then double-turn in the seam allowance along the top edge of the back in the same way as you did with the top edge of the front. Fell stitch in place and thread the tunnel with a drawstring, secure the tape with some stitches at the armhole.

(5) Sew the side seam, right sides together, press the seam allowances toward the front and neaten with a flat felled seam.

(6) Gather the sleeve head between marks (6) and (7) (m). Sew the sleeve seam, right sides together and neaten with a flat felled seam. At the bottom edge of the sleeve, turn under the seam allowance twice, 3/8” (1cm) each time, and fell stitch in place. Leavean opening of about ¾” (2cm) at the sleeve seam, creating a tunnel for a drawstring (o). 

Gather the sleeve head by pulling the gathering threads and spread the width evenly between marks (6) and (7). Sew the sleeve to the armhole, right sides together, respecting all marks .

Trim back the seam allowance to about 3/8” (1cm) and finish with overcasting stitches. Once again, secure the drawstrings of the top edges of the bodice.

(7) Take the pockets and line up with the right edges of the front and back skirt, right sides together, respecting mark (9) and (10). Sew with a seam allowance of 3/8” (1cm), sew slightly beyond the markings.

Fold the pockets to the side. Line up the front skirt with the back skirt, right sides together, respecting the marks and sew with a seam allowance of 5/8” (1,5cm) along skirt and pocket. The procedure is the same as for a modern in-seam pocket. Press the seam allowances towards the front skirt and neaten with overcasting stitches. Smooth out the pocket towards the top edge of the front skirt and baste in place.

Sew the left side seam, right sides together, if wanted, make another pocket here. Press the seam allowances towards the front and neaten with overcasting stitches.

(8) Sew the center back seam of the skirt, right sides together, leaving the vent open. Press open the seam allowances and finish them if needed. Optionally, secure the vent with a prick stitch. Gather the back skirt along the top edge and spread the width evenly. Sew the skirt to the bodice, right sides together, respecting marks (11). Ease in the excess width of the front skirt. Press the seam allowances towards the bodice and trim back to 3/8” (1cm).

Take the bias binding, Laura used herringbone tape instead, and double-turn in narrow one of the short edges, and stitch in place. Starting at the right center back (see illustration), line up the bottom edge of the bias binding with the stitching line. At the left back, the bias binding reaches the edge. Trim back the bias binding accordingly, considering a matching seam allowance to double-turn in narrow as well. Fell stitch the bias binding to the dress along both long edges, forming a tunnel.  The upper stitching will be visible on the right side, so take care, making regular and tiny stitches.

Make a fitting, and determine the length of the skirt. Turn under the hem allowance twice and stitch in place.

Last steps: thread the tunnel at the sleeves and waist with drawstrings, a narrow one for the sleeve, and a wider one for the waist. If the dress gaps at the back, attach hooks along the right back edge and sew corresponding thread bars on the left side.

Laura’s daughter loves this comfy dress – and who can blame her? It’s become her favorite for reenactment events.

Elegance Continues: The Regency Spencer Jacket inspired by a TV Show – Pattern #0323

The pattern is coming soon….

In our journey through the world of historical fashion, we’ve uncovered the enchanting allure of Regency dresses. However, the story doesn’t end there. To complete your transformation into a character from a Jane Austen novel or the grand ballrooms of Bridgerton, we introduce a perfect companion piece – a Regency Spencer Jacket. This exquisite garment, like the dress, has been meticulously recreated with a historical nod, making it the ideal addition to your Regency-inspired ensemble.

Just as we ventured into the realm of the Empire dress, it’s time to explore the creation of this captivating Spencer Jacket. Following the same commitment to historical techniques and style, this piece embraces the authenticity of the Regency era while adding a modern twist. Whether you’re a seasoned seamstress or a budding costume enthusiast, this blog post will guide you through crafting this elegant jacket with step-by-step instructions and detailed images. So, as we delve deeper into the world of Regency fashion, prepare to embark on another sewing adventure, one that promises to bring the grandeur of Bridgerton and the Regency era to life in your wardrobe.

The time of the Empire/ Regency lasted from 1795 to 1820 and can be divided roughly into three subcategories of fashion styles.

Contrary to persistent fashion misconceptions, such as the ‘muslin disease,’ numerous period fashion illustrations depict an array of coats, jackets, and overdresses in a spectrum of colors and diverse materials, including silk, fabric, velvet, and fur.

A redingote, derived from the English ‘riding coat,’ is a full-length coat crafted from woolen fabric. Redingotes were frequently embellished with braids, imitating the style of hussar military jackets.

A pelisse, on the other hand, is a lightweight coat or overdress that ranges from calf-length to floor-length.

A spencer, a shorter jacket, could feature a peplum or not, depending on the design.

Additionally, individuals of the era often opted for colored pashmina shawls and tunics.

It’s worth noting that these terms were not consistently used in fashion publications of the time and have evolved over the years.

https://www.rijksmuseum.nl/en/search?q=Journal%20des%20Dames%20et%20des%20Modes%20&v=&s=&ondisplay=False&ii=0&p=1

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Elegance Revived: A Regency Dress, inspired by a TV Show – Pattern #0223

Purchase pattern #0223 here

The world of historical fashion undoubtedly exerts a timeless allure that stimulates our imagination. For all those enchanted by the magnificent gowns and exquisite ensembles of the TV series Bridgerton, my sewing pattern allows everyone to fulfill their desire for a dreamy dress themselves.

Originally, I had crafted the dress in black for the Wave Gothic Festival in Leipzig. However, I have now revamped it in a colorful style reminiscent of Bridgerton. The instructions still adhere to historical techniques, but the dress can be sewn as much as possible with a sewing machine and closed at the back with a zipper instead of hooks and eyes.

The tulip sleeves are not typical of the Regency/Empire era, however, they are an important stylistic element of the dresses of young women featured in the show. The first tulip or petal sleeves can be seen on extant dresses from the 1850s.

https://www.metmuseum.org/art/collection/search/108118

Let’s dive into the world of hand-sewing a dress! Back in those times, garments were typically sewn with white thread. I didn’t have a matching silk thread at home, so, in keeping with historical accuracy, the entire dress was sewn with white thread.

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Men´s Regency Fall Front Breeches around 1800 Part 1 – Step (1) – (3)

No chance to relax, to complete the men’s wardrobe we need breeches!

Again, this blog post is just an addition to complete the instructions for my sewing pattern with more pictures.

(1) Let´s start with cutting the fabric! Don´t be afraid of the weird looking pattern with no inseam and the legs pointing outward. If wanted add the inseam, the line is marked on the pattern, but don´t try to straighten the legs, they give the width needed for a comfortable fit. Compared to Georgian breeches, the volume at the buttocks is significantly reduced, but still more than most of us are used to from modern pants. The pattern is based on an extant sewing pattern from 1796.

Punching holes on the pattern for accurate markings on the fabric.
thread tracing for accurate markings
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