Category Archives: General

Making-of my 1830 Dress Part 1 The Bodice

Do you know the 1830 dress from the LACMA? I´m talking about the pink evening dress with that amazing sleeves: 1830 Evening Dress
Fashion plates too show dresses with that kind of sleeves. But how to make them? The pictures from the LACMA really have a high resolution, but doesn´t show every detail to understand the sleeves.
Finally I found this pictures: 1st 2nd
They gave me all Information I needed!

The fabrics used to make the original dress are silk sateen and silk organza. This are informations from the museum homepage. I think a silk georgette was used, because the fabric is less transparent than organza would be.

I think the sleeves are made from sateen covered with georgette, I´m not sure if the skirt is made the same way. For the bodice stripes of fabric, cut on the bias, are mounted. First I thought they where mounted on a cotton bodice, like later dresses would be, but it seems that the lower part of the bodice is just made from georgette. Neckline and armhole are piped.

I decided to use a basic bodice made from glazed Cotton to mount the stripes. The pattern I took from my 1845 dress. The dress fits quite well so I didn´t had to made any alterations.

I decided to make the dress from sateen in ivory and burgundy. Why I didn´t used a georgette? Because I was a little bit under time pressure to finish the dress and there was no time left to find a matching georgette,

Let´s start sewing! Just close the darts and the shoulder seams. Cut the darts and press for less bulk. Turn in and topstitch facings at the center back, allow 2cm at the left side for a underlap.

Wrong side up attach a 2″ wide facing around the neckline.

Sew your piping around the neckline. Trim the seam allowance of the bodice, the facing and the inner seam allowance of the piping. Nocht the seam allowances at the center front. Fold the upper seam allowance from the piping around and sew just to the cotton bodice. Fold over the facing at the back and stitch down.

Prepared bias straps in ivoy and burgundy, folded lenghtwise, wrong sides togehter and pressed, width is now 5cm. The 2nd picture shows the straps pinned to the bodice to see how it looks like. Decided to make the straps 3cm at the shoulderand 2cm wide at the center front.

The first ivory strap is folded open and sewn to the bodice along the neckline. As you can see I shifted the shoulder point to the front, to the highest point of the shoulder. Then I sewed the strap along the bottom edge to the basic bodice.

The 2nd strap in burgundy is sewn to the basic bodice just along the bottom edge. The top edge is left loose. Give the straps enough room for the breast. Don´t make thight stitches. At the center front fix straps with some stitches.

In the sam way sew the rest of the straps to the bodice. The lowermost piece is cut on the bias too, then pinned to the bodice. Draw the outline directly on the fabric incl. 1cm seam allowance at the top edge and cut out. Fold in the seam allowance at the top edge and sew to the 5th strap. Baste along the remaining edges to the basic bodice.

At the back sew straps to the bodice in the same way, overlap 1cm at the shoulders. At the left side mark center back (underlap is 2cm) and attatch eyelets first. At the right side form an overlap with the straps. Hooks can be attatched later. Sew along the right center back with small stitches through all layers.

Sew piped epaulettes, 1cm wide. This is quite tricky and I have no idea to make it better then shown below. Before you sew the epaulettes to the shoulders pull out the piping and cut off the seam allowance to avoid bulk. Sew the epaulettes to the highest point of the shoulder covering the raw edges of the straps.

Before closing the side seams attatch a piping band to the armhole. Trim inner seam allowances, fold over the outmost and sew to the bodice like you did before with the neckline.

Next time I´ll show you the sleeves… Part 2

How to make Regency/Romantic Shoes without a last

Last year I decided to make my own shoes, fitting to my 1840 cotton dress. So I searched the internet for sites about shoemaking. But nearly everywhere you would need a last for making your own shoes. At least I found a site about how to make ballerina shoes without one. After some try and error now I have a period accurate pattern for my shoes with a squared toe cap and the same pattern for the right and left foot.

My first shoes had just a cork sole, because I was quite under time pressure to finish the shoes and cork was at home. Nevertheless, the shoes survived a one hour walk and a dancing evening. They were more comfortable than my wedding shoes I took with me in the case the self-made shoes get broken.

This time I´ll show you shoes with a leather sole.

First prepare the inner sole. I made mine from cork (better would be leather) covered with cotton. Let your adhesive (I used a special adhesive for leather) dry well before attaching the cotton. Turn around and notch the seam allowance. Stick the notched seam allowance to the underside of the inner sole. After drying transfer the marks from the pattern to the underside of the inner sole and mark the seam allowance.

Prepare the upper shoe part. Cut two parts from upper fabric, linen and some stiff interlining. Transfer marks to the lining. Sew the pieces together along the inner edge, cut back seam allowance and fold the seam allowance towards the lining. From the right side topstitch along the inner edge on the lining, right beside the seam, catching the seam allowance. Close the heel seam and open the seam allowance with your fingernails. Glue the lining seam allowance to the interlining. Insert the heel support, glue or stitch with a zigzag to the interlining. Sew all layers together at the lower edge.

Sew again along the lower edge at the toe area and at the heel with a large gathering stitch. Now start to glue the upper shoe part to the inner sole. Start at the sides, respecting marks. At the toe and heel area gather the fabric a little bit. The edge of the fabric should stay within the line (seam allowance). Let the adhesive dry well before attaching the fabric. Hammer the edges to get permanent joint. Insert a piece of cork to the dimple on the underside of the inner sole. Bevel the edges with a knife, rasp the cork till the sole is flat again.

Transfer the sole and heel pattern to the leather. If your leather is very stiff like mine the best is to cut it with a jigsaw (thankfully I own an electric one). Roughen the heel area and the upper part with sandpaper. Stick the heel to the sole (again let the glue dry 10 min and hammer). Smooth the edges with sandpaper and dye in the desired Color.

Mark the outline of the leather sole at the undersides.

Apply glue to the leather sole and to the upper shoe part, take care there is enough glue at the edges. Join and hammer. Let the glue bond several hours.

Sew ribbons to the shoe, attach some decorations if desired.

Download the pattern for size US 8 / EU 39 / UK 6

Pattern / Schnittmuster

Pockets for late 19th century men´s trousers

Until now I didn´t find understandable instructions for sewing pockets in men´s trousers. Jason Maclochlainns book “The victorian tailor” was a mystery for me, but after I found this article in “The cutter and tailor” Forum it worked!

http://www.cutterandtailor.com/forum/index.php?showtopic=406

After basting on linen straps for reinforcing the pocket mouths sew pocket facings to topsides and undersides of the trousers, right sides together. Start and stop sewing exactly at markings for the pocket opening. At the topsides turn inwards the facing and press (you should not see the seam from the topside). Press open seam allowance at the undersides.

Fold both facings to the side and close side seams, stop sewing slightly above and inside (1-2mm) from the seam, don´t catch facings while sewing. Press open seam allowances and fold facings towards topsides.

For pocketing cut two pieces about 35cmx35cm. Fold pieces in half, left sides together. Mark pocket opening, the pocketing must reach the waistband to be fixed there and shape the pocketing at the bottom. Now sew along the bottom edge about 5mm from the edge, stop at mark for the opening. Notch seam allowance at end of the seam and turn inside out. Press seam and sew again along the bottom edge about 7mm from the edge. At the opening fold front seam allowances from notch to top to the outside, the back seam allowance to the inside.

Take your trousers legs and place them on a table, left side up. Fold and pin back the pocket facing of the undersides. Slide pocketing underneath the front facing, edge of the pocketing between seam allowance of the topside and the facing. Join facing and pocketing with a felling stitch, first at the edge between the seam allowances, then all along the raw edges of the facing, covering the raw edges at the same time (I used a quite fraying fabric so I decided to serge all raw edges before sewing, sorry, I know that´s not period sewing although overlock stitching was invented by the Merrow Machine Company in 1881).

Lay the back facing and seam allowance of the back facing inside the pocket and place the pocketing on top. Baste in place and join with a felling stitch as you did before with the front facing. Baste top of the pocket to the waistband canvas.

Turn to the right side and press pocket mouth again. Sew about 5mm from the front edge with a pick stitch. Bar tack at top and bottom of opening.

How to make a Fez

Download the pattern. Print with 100% scale and join the two pattern pieces. The original pattern size is for a 56cm head circumference.

Part1, Part2

Material needed:

piece of buckram
reed
red wool fabric
lining fabric
tassel (klick for tutorial)
waxed cotton thread
grosgrain ribbon

First cut top and crown from fabric and lining with seam allowances.

From buckram cut top with seam allowance all the way around, the crown without seam allowances at the top and bottom edge, leave seam allowance at the back for joining.

Transfer marks for the reed exactly. Use two rows of reed at the top, stay within the markings that the top fits better inside the crown. The reed can be sewn along the edges by hand or by machine with a zigzag stitch. Shift joints of the two rows for more stability.

At the crown place four bars of reed then close the crown. The seam has to overlap at center back that you won´t see it later at the finished bonnet, overstitch both edges. Sew two rows of reed to the inside of the bottom edge of the crown, shift joints as you did before.

Clip seam allowance of the top and insert top to the crown. Join with hand stitches with a waxed cotton thread.

Line up fabric top with the buckram and pin. Close fabric crown at the center back, press open seam allowances. At the top edge fold seam allowance (1cm) towards inside and press. Pin crown to the top respecting marks and sew with small stitches with a matching thread.

At the bottom edge fold excess fabric towards inside and sew through all layers with nearly invisible pick stitches.

Prepare tassel and sew to the center top.

Sew together the lining pieces and put into the hat, sew along the bottom edge. Place a grosgrain ribbon to the inside of the bottom edge and join with small stitches.

Finished!

How to make a knotted Tassel

Take piece of cardboard or anything else suitable for the length of your tassel. Wrap thread around the cardboard several times. Cut one side, make a knot with an extra thread at the center.

Divide into four braids, knot like shown on the diagram.

Prepare a cord and knot the loose ends. Insert the cord before you tighten the tassel knot. Take a thread and wrap several times around the tassel. Secure end of that thread with a knot and some stitches with a needle. Trim tassel evenly.